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After every exhibition
the Thames becomes a protagonist in a series of ceremonies and practices that flow seamlessly downstream
Raus in die Stadt
still in print
Why Call it Labor? society After every exhibitionThis publication presents four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) who discuss their experience of becoming mothers as professionals in the arts, its reality and effects. While their reflections represent a similar strata of art worker in terms of background, class, and career trajectory, the impact of instruments of patriarchy on rendering
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