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her pain at being misunderstood and finally rejected
plans and drawings
Bucharest in the 1980s
dreaming and wakefulness
Rehearsing Hospitalities interior design her pain at being misunderstoodUpon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, moreand if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the
