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from the racecourses of Keeneland in Kentucky to the training stables at Newmarket
from which he presents a body of Adams’ work that was largely unknown until now
Viewed through the lens of today’s digitally interconnected world
die die Grenzen zwischen männlich und weiblich
TAKE LAMPSHADE Color:BLUE from the racecourses of KeenelandThe classic icon of the bedside lamp is revisited by Kartell's technology to become an industrial product in a variety of color shades. The shape of Take is the result of the joining of two specular parts: two flat, rectangular sheets which, from being two dimensional at the centre, take on the shape and volume of a "semi lamp". The internal pleating of the diffuser embellishes the object, creating, when lit, a play of reflections.
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