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La Lettre d’imprimerie
Eschewing convention
and essential gear
and the importance of collaboration
How to Cut an Orange flowers La Lettre d’imprimerieMuch reveals itself in the work of Melbourne based artist Zo Croggon, though some cues speak louder than others. There is Croggons lucid understanding of the kinetic body and its syntax of gestures; figures float, curve, and drape in an elegant, unknowable choreography. There are the formal and technical particularities of her unique rendition of collage. Stripping the process to its most economical and decisive form, Croggon allows the single cut or
