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confirming the dialogue between poetry and image that characterizes Hokusai's work
made visible only through the interruptions of those same lines
with a strength that intention does not always manage to reach
but of the framing created between the mountain and the surrounding elements that encircle it like a tapestry
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 49, 1835 sculture confirming the dialogue between poetrySplendida prova con buoni contrasti, riferibile alla tiratura di Eirakuya Tshir (met XIX sec.) dai legni originali della bottega Egawa. Impressa su carta del Giappone, in ottimo stato di conservazione, con margini originali intonsi oltre la linea marginale. Bibliografia ragionata H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New York:
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