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without seeing what others had already created
on the occasion of the master's exhibition at the namesake gallery
Table from the art magazine Derrière le miroir
characterized by plays of light and suspended seasons
KŌRIN FURUYA, Kōrin-style Patterns n. 54, 1897 sculture without seeing what others hadStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
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